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Sara Codarin: Robotic Mark-Making

Architecture and Design
Department of Architecture
Industry Immersion, Materials and Manufacturing, Research

Sara Codarin is a techno-optimist and she loves robots. She completed her Ph.D. at the Department of Architecture of the University of Ferrara in Italy where her doctoral research investigated robotic manufacturing for the conservation of Cultural Heritage. She looked at innovative methods to update design workflows with a technology-driven approach. She spent an academic year as a visiting scholar at the College of Architecture and Design of Lawrence Technological University to develop an experimental application of her research. Her experiments simulated on-site robo-fabrication processes to produce customized units for the recovery of damaged buildings. Her work is tied to broader economic, technological, and social changes that will affect the building culture in the next future. She holds a MArch from the University of Ferrara where she was awarded two scholarships to study abroad at the Ecole Nationale Supérieure d’Architecture et de Paysage in Bordeaux, France, and the British Columbia Institute of Technology in Vancouver, Canada. She publishes her work consistently and serves as a reviewer for international conferences and journals. Her research themes resonate in her courses, which span from studio work to software labs, eco issues seminars, and digital (robo) fabrication courses.

When we learned to paint we had to understand how to hold the brush, test the pressure against the resulting brush strokes, and build confidence in the dexterity of our gesture. “Robotic Mark Making” traces our process of re-learning to paint but this time using a retired automotive welding robot as an extension of our hands. With this research, we are seeking the productive confluence between an old form of analog expression and the opportunities afforded by new digital technologies. We began with a sketchbook as a means to intimately share different attempts and reflections on the successes and failures with this type of work. The resulting sketchbook documents the various attempts, iterations, parameters, and variables against the circumstances of the pen, paper, humidity, and whim of the designers.

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Use Your Cell Phone as a Document Camera in Zoom

  • What you will need to have and do
  • Download the mobile Zoom app (either App Store or Google Play)
  • Have your phone plugged in
  • Set up video stand phone holder

From Computer

Log in and start your Zoom session with participants

From Phone

  • Start the Zoom session on your phone app (suggest setting your phone to “Do not disturb” since your phone screen will be seen in Zoom)
  • Type in the Meeting ID and Join
  • Do not use phone audio option to avoid feedback
  • Select “share content” and “screen” to share your cell phone’s screen in your Zoom session
  • Select “start broadcast” from Zoom app. The home screen of your cell phone is now being shared with your participants.

To use your cell phone as a makeshift document camera

  • Open (swipe to switch apps) and select the camera app on your phone
  • Start in photo mode and aim the camera at whatever materials you would like to share
  • This is where you will have to position what you want to share to get the best view – but you will see ‘how you are doing’ in the main Zoom session.